Over a mushy mattress of piano and percussion, Natalie Mering makes a blunt remark in regards to the human situation. “We’ve all turn into strangers/Even to ourselves,” she sings on “It’s Not Simply Me, It’s Everyone,” the lead single of her upcoming fifth album as Weyes Blood, And within the Darkness, Hearts Aglow. It’s the second in a trilogy, following 2019’s Titanic Rising—and whereas its predecessor addressed looming disaster, Mering writes in an announcement that this document is about being suspended within the inky nice unknown. Instability and impasse, alienation and algorithmic nervousness—what precisely has obtained us all so unwell? And what occurs to a society the place we neglect deal with each other with care?
Because the track opens, Mering is feeling lonely at a celebration: “Oh, it’s been so lengthy since I’ve felt actually recognized,” she confesses. Discovering the shared ache of seclusion, she yearns for ache and isolation to dissolve, deciding on a poignant answer: mercy. As Mering repeats the title chorus, the track swells with orchestral strings and effervescent harp from Mary Lattimore. Her assertion that she’s not the one one struggling lingers alongside her personal reminder that “it’s all part of the identical factor”: Being good to at least one one other gained’t repair the world as it’s, however it might probably no less than make every day a bit of extra bearable.
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|Title||:||Weyes Blood - It s Not Just Me It s Everybody|
|Type of file||:||Audio/Video (.mp3 .mp4)|
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