Tommy Dorfman made her Met Gala debut in royal style.
The 13 Causes Why alum, 29, dipped into the precise Gilded Age to decorate her avant-garde look Monday on the Metropolitan Museum of Artwork’s Costume Institute Gala, sporting a Fred Leighton inexperienced paste hair comb and gold and diamond hoop earrings, all from the nineteenth century.
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“The jewellery is definitely from the occasions, so this crown is nearly 200 years outdated, which is fairly sensational,” she instructed PEOPLE on the pink carpet.
She sported the jewels with a inexperienced rubber floor-length Christopher Kane robe that includes cutouts throughout the chest and waist, related with gold accents. Dorfman completed the look with a pair of lengthy black night gloves and a petite inexperienced purse.
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“I actually wished to do a traditional silhouette however with a recent material, so Christopher Kane, the designer, and I’ve been working the previous couple months with my stylist Taylor Angino, arising with one thing that felt traditional but in addition very me,” Dorfman added.
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The costume code for this yr’s Met Gala is white-tie with an emphasis on Gilded Glamour. The theme is “In America: An Anthology of Vogue,” celebrating the “inclusivity” of American style and serving as an element two to final yr’s “A Lexicon of Vogue.”
For extra on the 2022 Met Gala, pay attention under to our day by day podcast PEOPLE Each Day.
Dorfman, who reintroduced herself as a transgender lady final July, beforehand spoke to PEOPLE about experimenting with style amid her transition. “I feel I am sort of making up for lots of misplaced time and I am impressed by everybody’s creativity,” she stated in November.
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“I feel we have all come by means of extremely difficult and surreal expertise collectively. We have come out extra artistic. We have come out as higher storytellers. We have come out as stronger folks. And I feel stronger as a neighborhood. And so to be part of the style Renaissance of Fall 2021 shifting into Spring is a time I’ll always remember, actually.”
Dorfman added, “I feel in a means, I put on what I really feel embodied by, and emboldened by, and excited by.”
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