Elucid makes use of summary imagery to speak clear ideas. As each a solo emcee and one-half of Armand Hammer, he typically incorporates hyperspecific popular culture references, spiritual allusions, and hip-hop tenets into mosaics that tackle every thing from property possession to intercourse and the thrill of Blackness. On his newest solo album, I Instructed Bessie, all of those parts coalesce round tales impressed by his late paternal grandmother. The album naturally options a few of the most private work of his profession, however the penultimate music “Betamax” burrows notably deep into the reminiscences that made him.
Stark moments pop by way of his excessive baritone: He muses on choirs singing “gospels of doom” and recollects anecdotes about cleansing his younger son. Elucid’s outstanding abilities as a wordsmith come from swerving by way of the cracks of a selected beat—right here supplied by New York producer P.U.D.G.E.—and weaving disparate parts right into a mind-altering complete. “Present my work, a definitive reply/There’s just one, however many portals/Fuck you goin’ with the door closed?,” he asks midway by way of. It reads like a mantra, with all of the bits and items of Elucid’s life bonding onto one thing new.
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