The Peruvian experimental artist Daniela Lalita wrote “Pisoteo” whereas caring for her grandmother, who battled and in the end survived most cancers in early 2019. In summary language, she mourns the way in which dying robs us of time with our family members: “La muerta/No te advierte que/Saca la oferta” (“The useless girl/Doesn’t warn you that she/Takes away the supply”), she sings. Her sepulchral efficiency makes her sound as if she had been summoning her ancestors by way of gothic hymn. Lalita stretches the bounds of her voice, grunting and gasping over the music’s pulse, her phrases trembling into oblivion.
The accompanying music video opens with a voiceover from her grandmother, who Lalita recorded on her mattress at 3 a.m. “Para todo hay que ponerle el alma. Porque no eres un ser huma—,” she begins to say, earlier than interrupting herself. “No eres un animal; hay que ponerle el alma.” (“You need to put your soul into every thing. You’re not a human bei—You’re not an animal; it’s important to put your soul into it.”) In a sequence choreographed by Lourdes Leon, Lalita then writhes and contorts in an empty room. She flails towards brick partitions and thrusts towards the barren ground, without delay primal and managed, like she has absorbed the knowledge her grandmother imparted. On this manner, “Pisoteo” turns into a masterful contemplation on inventive goal, reworking the psychic turmoil of dying right into a potent artistic train.
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|Title||:||Daniela Lalita - Pisoteo|
|Type of file||:||Audio/Video (.mp3 .mp4)|
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